Isolated thoughts on Buffy
Thursday, September 30th, 2004Now, the sad thing is that I’m only at “What’s my line”, which means I have well over an entire season to go before I can hit the new DVDs I just received today (yay!). I might skip some of the terrible episodes — “Go Fish” comes to mind (as does, alas, “Beer Bad”, for my money the worst episode ever, which I just paid some actual real money for) — but still, there aren’t *that* many.
Plus I want to nap right now. I want to nap, but also I want to watch Spike while he was fun and evil.
I remember watching “What’s my line? pt 1″ with my mother (she watched the show for a while), and the total shock at the ending of the episode, even given all the clues they dumped earlier in the show. Kendra the what?
You know, I appreciate the show’s discussion of moral ambiguity (Angel in seasons 1,2; “Lie to me” s2). The discussion of friendship and responsibility (”Prophecy Girl”,s1 “When she was bad” s2, Angel in season 2), also. Yes, Buffy was good, and did good, but Buffy made mistakes and endangered people because of it (as did Giles, “The Dark Age”s2, “Helpless” s3 — there are always other examples, but the first three seasons I remember best, so there we go). As discussed in an old post at Sappho’s Breathing, there was always the knowledge that the Scoobies were good, even if they did the wrong things — bad things. (Xander in “Becoming”, Willow in the magic-is-addiction-instead-of-power story arc.) Spike, also, did a fair bit of saving Buffy (when it was more helpful to him than trying to kill her, anyhow). I felt that the nuance was something the show always did quite well.
The obvious part, of course, is the little blonde girl in heels kicking ass: the feminism in it. There were many comments made on the anti-father bias the show espoused, though I think Giles (ignoring his exit in s6) was a good-enough father figure to balance out some of it, and showing the idea that family is made up of more than just genetics. But in the end, who were the most grown-up characters? Giles, always, and perhaps obviously — but consider Buffy at the end, Willow at the end, and Xander at the end. Xander was the most adult (in the positive senses) of the Scoobies (excepting the wedding issue, which I also thought was entirely improbable). Of course he had no super powers, but I found it an interesting change to the show. Faith, on the other hand, had finally become an adult. (Faith was also a good example of ambiguity in the show: could anyone not love Faith & the mayor together?)
What I most liked, I think, was the emphasis on choices there was, but also on how chance can make or break things (this was best shown in “The Wish”). You make the choice to act, or not act, to do what you think is right or not, to do what is easy or not. You sometimes make the wrong choices, or choices based on incorrect information, and then you have to live with the consequences of those choices. (I never understood why there was no real payback for Xander’s lie in “Becoming” — the 3 second exchange in s6 or 7 was not nearly enough.)
But of course the best part of the show was that all of these were bound up in a fun show about killing vampires.
Update: hah, I’m reading old TwoP Buffy recaps (well, MBTV, then) and I forgot this line.
It’s a shame there’s no way Spike and Buffy can have a romance, because SMG and James Marsters together sizzle like a thick, fatty steak over a blazing mesquite fire. Especially in comparison to her scenes with Marc Blucas, which sizzle about as much as boiled cod drenched with gravy.