Penelopiad
Friday, October 28th, 2005Margaret Atwood and I have a love-hate relationship. Well, no, we have a love-hate-ignore relationship. I love or hate her work; she has no idea who I am.
Loves: Cat’s Eye, The Robber Bride, Good Bones and Simple Murders, The Blind Assassin
Hates: Oryx & Crake, Alias Grace, The Edible Woman
I had no idea she even had a new book out until I saw a side note about it in a newspaper or magazine, and it happened to be in the library so, why not? This is one of my favourite genres, modern retellings of classic tales (any tales — fairy tales, classic literature, mythology, whatever; this is part of why I enjoy Winterson), and one which she is usually very good at. So I was expecting good things.
And I was not disappointed. The book isn’t her greatest ever, don’t get me wrong: I was not overwhelmed by beauty or brilliance. It’s short, it’s much more like her short stories in tone than her books (as I am a big fan of her short stories, more than her novels or poetry, this is a good thing in my world). But still, I am thinking about the book. Penelope is self-aware, though it’s all in retrospect; the chorus of hanged maidens makes the book work as well as it does.

These reptiles, famous for their hard outer shells, spent their days roaming for food and relaxing in the water. As a turtle you are not very speedy, nor are you soft and cuddly. You tend to hide in your shell and you aren’t much of a sprinter, however you are as cute as you are fascinating.